![]() Bryant’s long-awaited Byline Richard Wright: Articles from The Daily Worker and New Masses has a significant mediating function. We do need to explore Black print cultures more thoroughly in relation to the production of Black literatures. Wells and Ishmael Reed assist us in understanding what was and is African American literature. Technological progress encourages us to abandon dreams of a liberated future and to accept dystopia as self-evidently “normal.”įor Richard Wright scholars, the forthcoming 2016 publication of Indonesian Notebook: A Sourcebook on Richard Wright, Modern Indonesia, and the Bandung Conference, by Brian Russell Roberts and Keith Foulcher, will create an opportunity for more speculation about the function of journalism in Wright’s imagination, as well as raising devastating questions about how the journalism of Ida B. Readers and critics cooperate, often unwittingly, with publishing conglomerates and official agencies of detection in panoptical activities that exceed the scrutiny imagined by Michel Foucault in Discipline and Punish or by Edward Said in Culture and Imperialism. Edgar Hoover’s Ghostreaders Framed African American Literature serve as a warrant for thinking of contemporary literary and cultural studies as components of a mega-surveillance machine. ![]() Such recent dedicated scholarship as Mary Helen Washington’s The Other Blacklist: The African American Literary and Cultural Left of the 1950s and William J. ![]()
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